Conjuring the Threshold is a 10-minute performance that symbolically repairs a rupture, an obstructed passage. Through a minimalist and precise gesture, the artist transforms an administrative border into a poetic threshold, questioning the limits on our freedom of movement.
This performance will be presented on July 7, 2025, as part of the Performing Space event in Nafplio, Greece.
The origin of this performance lies in a real experience lived by the artist. On July 2, 2022, during his 5,232 km performative walk Ex-tracés, Ridha Dhib reached the Greek-Turkish border. On the bridge separating Phères from İpsala, he was confronted with a prohibition: the crossing was reserved for motorized vehicles. He was forced to interrupt his walk for a distance of 100 meters.
This interruption, this breach in the continuous thread of the walk, is the wound that Conjuring the Threshold seeks to heal. The performance is not a simple representation, but a symbolic act of repair, a reappropriation of the body over a space that was denied to it.
Satellite view of the border bridge over the Maritsa River, between Phères (Greece) and Ipsala (Turkey). This site is the starting point of the performance, where pedestrian crossing was prohibited, causing the rupture that "Conjuring the Threshold" aims to repair.
The initial protocol, conceived as a "red line on the ground", has evolved to be embodied in a more meaningful material, transforming the line into a true suture.
The Border-Line: The border is materialized by a 10 cm wide crepe bandage, 8 meters long (the estimated width of the bridge). Dyed with medical eosin, it bears a bright red color, suggesting both blood and care. The line is not continuous: it is composed of four rolls (unstretched length), connected by three knots. These junction points, visible scars on the line, emphasize the fragmented nature of territory and the need for a repeated gesture to connect it.
The Soundscape: A cold, digital mantra accompanies the gesture. A synthetic voice slowly recites the GPS coordinates of the border-bridge, first in Turkish, then in Greek. The language of code and machine is superimposed on the language of the body.
The Body and the Objects: The artist moves slowly, holding his smartphone from which the voice emerges, and his walking stick, a witness to the original journey. The crossing of the bandage-line occurs at the precise moment the voice pronounces the central coordinates of the border, creating a kairos: a perfect convergence of place, time, and the body.
Technical Sheet
Title: Conjuring the Threshold
Artist: Ridha Dhib
Date: July 7, 2025
Location: Performing Space 2025, Nafplio, Greece
Duration: 10 minutes
Dispositif: An 8-meter line made of crepe bandage dyed with eosin, a soundscape of GPS coordinates, one performer, a smartphone, a walking stick.